Posts tagged "Segments"

PROFESSIONAL UNDERWATER PHOTOGRAPHY SESSION TECHNIQUES

Canadian formed photographers 2D Photography give us a minute look at the routine they used during an underwater photoshoot. As an combined bonus, the group runs through an on top of the H2O photoshoot prior to removing the submerged apportionment of the glow set up. A Nikon D3S was used in both segments of the glow with an Aquatech pack safeguarding the camera while underneath water. Because the inlet of the glow compulsory the energy of synthetic lighting, Nikon SB900 Speedlights with Phottix Strata II triggers were used, some of which were powered using a Profoto 8A Air peep generator. Take a look at the video here:

As explained in the video, air wave triggers do not perform over more than a few inches underwater. To remedy this issue, the conductor was wedged into the Aquatech pack subsequent to the camera with a opening hermetic trigger and peep mounted on the outward of the kit. As the mounted peep fired, the visual worker triggered a bang mounted peep which then dismissed a span of SP900′s. The two SP900′s were run on the Profoto 8A and were both versed with parabolic reflectors. To turn out the lighting setup, the SP900′s also used the visual worker to glow a last SP900 that was being hold underwater.

Initial print prior to post-processing

The photos, all shot in RAW, were alien into Apple’s Aperture, to preview and chose the best shots prior to they were alien into Adobe Photoshop, around Camera RAW. The videospeeds through the modifying process, but here’s an general outlook of the stairs that were took:

In Adobe Photoshop Camera Raw

  • Completely desaturate the image.
  • Bring up the bearing so the highlights are maintained, then
  • Crush the blacks until the sum of the theme are restored.
  • Bring up the fill light and liberation to move up the theme and highlights, respectively.
  • Make adjustments to the distinctness turn until your theme has good definition.
  • Finally, regulate the tinge bend to make any teenager changes and stand the picture prior to opening in Photoshop.

In Adobe Photoshop:

  • Use the lasso apparatus to name neglected objects (in this example, bubbles) and grow dark them out to compare the background.
  • Switch to the Dodge/Burn apparatus to move out contrariety of existent highlights and shadows.
  • Use the Dust & Scratches apparatus to serve discharge any neglected sound and froth on the subjects body
  • The Liquify apparatus is used to excellent balance the figure of the models body.
  • And the print is finished by requesting a covering facade and portrayal in one more shadows and highlights.
underwater print modifying post processing

Completed print after post-processing

Though the photos being edited in the movie are taken underwater, the modifying routine is germane to on top of H2O images as well. The routine enhances a well-exposed picture by emphasizing the key-lighting, ensuing in a black and white sketch on standard with stream monochrome style.

For serve precision on veteran print editing, we suggest these eBooks:

Go to full article: Professional Underwater Photography Session Techniques

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Article from: PictureCorrect Photography Tips

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Posted by Favorite Rss - February 11, 2012 at 3:24 am

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DIGITAL DIGEST – PHOTOGRAPHY VIDEO SEGMENTS ON DIGITAL PHOTOGRAPHY

Digital Digest – Photography Video Segments On Digital Photography

  • Digital photography
  • Shutter Speed
  • f-stop
  • rule of third
  • white balance

Product Description
Tutorial DVD; Play on any unchanging DVD player worldwide (recommended) or CD-ROM. Run time 42 mins Read more…

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Posted by Favorite Rss - May 30, 2011 at 5:46 pm

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TRAIN STATION

Lara JadeTrain Station
by Lianne Viau

Talking about the Royle Family and other purposeless crap while watchful for a train. Another classical diatribe from Jonny. Someone had too many cocktails… Read more…

Posted by Favorite Rss - April 27, 2011 at 6:13 pm

Categories: Favorite Photography Techniques   Tags: , , , , , , ,