SCRAPE THE BEAUTIFUL SPACE SHUTTLE BLOOMS INSIDE THE CLOUD
New eBook Available
The good James Brandon has created a new eBook for FlatBooks.com called “Tack Sharp: A Step by Step beam to Nailing Focus.” This book is full of all kinds of good suggestions and ideas for your photography. It’s created for all levels, and we think you’ll get a lot out of it.
James Brandon is one of the authors over at Digital Photography School where he “teaches determined photographers to enhance their imagination and find their own photographic niche.” That comes from his little bio over there at FlatBooks.com where you can review more about him. Also, if it helps, I’ve met and hung out with the guy… so we know he knows what he’s articulate about.
Daily Photo: The Beautiful Space Shuttle Blooms Inside a Cloud
This is a 600mm lens, the standard vast sort of lens that many photographers use when receiving space convey photos. Note that we can only reason a lens like this for 5 seconds prior to we roar in anguish and twist into a fetal round of pain.
(Edit: Thanks NPR, Today Show, Gizmodo, MSNBC and others for enjoying the shuttle photos and joining over here. Welcome to the site!)
Staying watchful for two days prior to removing this shot made my nerves a little frayed. As the countdown got inside the last two hours, we could feel myself in a bizarre brew of impassioned sleepy and excitement. It’s a very bizarre feeling! And since this is the first launch we had ever seen, all my spidey-senses were tingling. This was also the last launch of the space convey Endeavor, so there was an additional covering of definition on tip of all else.
I arrived right at 3 AM to set up my tripod (which, surprisingly, we did not use for this shot, but I’ll get to that in a minute). we then went into the press room to get all orderly for the arriving event. we was also still spending time modifying together the video for the webinar, since we know a lot of people skip the live chronicle and like to download it after the event. So by the time the tangible eventuality rolled around, we was really starting to feel tired.
And here is the 50mm lens we essentially used to get the shot. /me lurves it. This print is from maestropastelero (click print for link), beautiful commons, on Flickr
Even though we had my Nikon D3X set up on a tripod with my 28-300 lens, we essentially shot this design with my 50mm budding lens on my Nikon D3S! Everything did go according to plan, and we had run through the slight a few times prior to the launch. The devise was to glow divided on my categorical physique during the first fifteen seconds or so. At that point, the D3X starts to have bufferring problems, so we switched to my Chewbacca-bandolier D3S. we pulled it up into a straight course and rapid-fired just as the convey tore into the clouds.
As shortly as the Endeavour worm-holed into the clouded cover layer, the bizarre staccato-bass of ripped air came skipping opposite the H2O into the press area. The receptive to advice was not at all what we expected, but it was overwhelming dot com.
(note: here is a video of the eventuality by @AVwriter that was taken very tighten to me, nonetheless that is NOT my voice you listen to in there… we was still as a mouse, solely for camera clicking away.)
