PHOTO FUSION: A WEDDING PHOTOGRAPHERS GUIDE TO MIXING DIGITAL PHOTOGRAPHY AS WELL AS VIDEO
Product Description
A full-color reference-and-DVD package covers sharpened and modifying a successful multimedia project
With the key of dSLRs with tall clarification video functionality, a new universe of multimedia constraint has been non-stop to digital photographers. This book shows you how to welcome the sparkling new choice of print fusion, by incorporating digital video calm with your photography.
The writer twin guides you through formulating seamless multimedia presentations that show off both still-frame and video photography functions on your dSLR. From the environment up and shooting, to downloading, modifying and presenting a multimedia project, this book obviously explains how to pierce over stills into the sparkling universe of multimedia creation.
- Encourages you to welcome the sparkling possibilities of print alloy in the margin of marriage photography
- Explains how to soak up digital video calm with photography
- Walks you through all of the required stairs for sharpened and modifying a noted multimedia creation
- Details every aspect concerned in environment up, shooting, downloading, editing, and presenting a multimedia project
- Features more than 200 tone images and an indispensible DVD of moving examples
Packed with more than 200 overwhelming images and featuring a 45-minute DVD, Photo Fusion presents you with impulse and direction so you can emanate your own multimedia projects.
Note: CD-ROM/DVD and other additional materials are not enclosed as part of eBook file.Amazon.com Review
A full-color reference-and-DVD package covers sharpened and modifying a successful multimedia devise
With the key of dSLRs with tall clarification video functionality, a new universe of multimedia constraint has been non-stop to digital photographers. This book shows you how to welcome the sparkling new choice of print fusion, by incorporating digital video calm with your photography.
The writer twin guides you through formulating seamless multimedia presentations that show off both still-frame and video photography functions on your dSLR. From the environment up and shooting, to downloading, modifying and presenting a multimedia project, this book obviously explains how to pierce over stills into the sparkling universe of multimedia creation.
- Encourages you to welcome the sparkling possibilities of print alloy in the margin of marriage photography
- Explains how to soak up digital video calm with photography
- Walks you through all of the required stairs for sharpened and modifying a noted multimedia origination
- Details every aspect concerned in environment up, shooting, downloading, editing, and presenting a multimedia devise
- Features more than 200 tone images and an indispensible DVD of moving examples
Packed with more than 200 overwhelming images and featuring a 45-minute DVD, Photo Fusion presents you with impulse and direction so you can emanate your own multimedia projects.
Note: CD-ROM/DVD and other additional materials are not enclosed as part of eBook file.
Top Ten Photo-Fusion Tips
Amazon-exclusive calm from writer Jennifer Bebb
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If the impulse warrants a still image, make a still image. Your initial concentration is creation still images and your video coverage is written to increase your stills. 2. Shoot More Video than You Need
A still picture is all about a singular moment. Video, on the other palm contingency be edited to showcase the undiluted moment. Leave lead time prior to and after the shave you want to use, and jot down more video than you think you will need. You can regularly leave the additional clips on the slicing room floor. 3. Be a Ruthless Editor
Remember that you are a photographer first – the audio and video you are recording is written to strength out the story told by your stills, not intimidate it. If the video doesn’t look great, don’t use it. 4. Practice, Practice, Practice
Take the time to get to know all the rigging you are going to use while creation Fusion. Test out everything, forward of time, on friends, neighbors or your pet. Practice using a tripod, monopod, and other stabilizers. A marriage day is not the time to clarity your gear. 5. Remember the Gift of Speech
Your clients are giving and reception the benefaction of difference they might never listen to again. Record them with apply oneself and care, and use those difference in your last edit. This is a benefaction that grows in worth over time. 5. Record More Audio than You Need
Your unstable audio tape deck will run up to 8 hours, so use that to jot down audio apart from your video clips. It is the audio that ties Fusion together, so jot down lots and revise out what you don’t need. 6. Be Prepared for Anything
Make a devise for the day, but be ready to shift on a moment’s notice. That’s the inlet of a marriage day – it’s unpredictable. Plan for all you can, and stay cold when things go wrong. 7. Shoot Your Video with the Eye of a Photographer
If you are using a HDSLR, you know how to make good still images with it. Making video is identical – use your believe of light and combination to make your video and stills mix together cohesively. Take value of your capability to see the universe in you own singular way. 8. Stabilize Your Footage
You might be means to make good still images at a delayed shiver speed while palm land your camera. Video is different – because you are recording more than a separate second, it is severe to reason steady. Wherever you can, stabilise your footage, generally during the rite and the speeches. 9. The Details Matter
As you do more and more Fusion, recollect the sum and nuances of a marriage day, will good from video as well. Make your still images first, then jot down some video of the details. Your courtesy to item is critical to your client. 10. Shoot for the Edit
The more you get right in camera, the reduction work you will have after the fact. This is quite loyal with video footage. Shoot with your revise in thoughts – if you know you want a passing from one to another shave of the bride’s skirt going on, fire it in both stills and video. Having a clarity of what you want your last square to look like will assistance you select when to jot down video and when to make stills.
Photos from Author Jennifer Bebb (Click to enlarge)
 This is picture was made while the bride was carrying her skirt finished up. She had changed towards the window in an bid to cold down (it was a prohibited day) in the breeze. The breeze held the perfect fate and blew one in in between the camera and the bride, and this is the result. Specs: Camera: 5D ISO: 160 Aperture: 2.8 Shutter: 1/60 Exp. Comp: +0.7 |
 This picture was made in and Art Gallery in New York City. The art studio was in in between exhibits so we had the event to work in spaces that are routinely sealed to photographers. This was a large, unclothed room, but we desired the regard of the ambient and the patterns on the building and walls. We used a chair that was in the space and had her lay on the floor. We longed for the bride to be the concentration of the image, so we indispensable to supplement some light to her face. We used a small video light to safeguard that she was well lit, and kept our shiver speed low to safeguard the regard of the ambient light was benefaction in the scene. Specs: Camera: 5D ISO: 1250 Aperture: 4.0 Shutter: 1/30 Exp. Comp: 0.0 |
 This picture was made in splendid object on a beach in Mexico. We decided to take value of the object and use it to our advantage. We simply had them welcome at the water’s edge, branch her eyes to our lens while asking him to reason her tight. With the orifice set at 2.8 and the application of the 135mm lens, we knew that the credentials would be utterly out of concentration while she would be the viewable concentration of the image. Specs: Camera: 5D MKII Lens: 135mm ISO: 100 Aperture: 2.8 Shutter: 1/4000 Exp. Comp: -0.3 |
Photo Fusion: A Wedding Photographers Guide to Mixing Digital Photography and Video
